![fazil say alla turca jazz fazil say alla turca jazz](https://i.ytimg.com/vi/RGAPTRrAilY/maxresdefault.jpg)
In the year 2007 he aroused international interest with his Violin Concerto 1001 Nights in the Harem, which is based on the celebrated tales of the same name, but deals specifically with the fate of seven women from a harem. This gives the music a colouring that sets it apart from many comparable creations in this genre. In addition to the modern European instrumentarium, Say also makes frequent and deliberate use in these compositions of instruments from his native Turkey, including kudüm and darbuka drums and the ney reed flute. Taking his inspiration from the poetry (and the biographies) of the writers Nâzım Hikmet and Metin Altıok, he composed works for soloists, chorus and orchestra which, especially in the case of the oratorio Nâzim, clearly take up the tradition of composers such as Carl Orff. Īfter this, Say increasingly turned to the large orchestral forms.
![fazil say alla turca jazz fazil say alla turca jazz](https://i1.sndcdn.com/avatars-000126650435-4epzj3-t240x240.jpg)
He attracted international attention with the piano piece Black Earth (1997), in which he employs techniques familiar to us from John Cage and his works for prepared piano. In these respects, Fazıl Say stands to some extent in the tradition of composers like Béla Bartók, George Enescu, and György Ligeti, who also drew on the rich musical folklore of their countries. This work already displays in essence the significant features of his personal style: a rhapsodic, fantasia-like basic structure a variable rhythm, often dance-like, though formed through syncopation a continuous, vital driving pulse and a wealth of melodic ideas that may often be traced back to themes from the folk music of Turkey and its neighbours. He subsequently designated as his opus 1 one of the works that he had played in the concert that won him the Young Concert Artists Auditions in New York: the Four Dances of Nasreddin Hodja. It was followed, in this early phase of his development, by several chamber works without an opus number, including Schwarze Hymnen for violin and piano and a guitar concerto. Say wrote his first piece – a piano sonata – as early as 1984, at the age of fourteen, when he was a student at the Conservatory of his home town Ankara. At the age of three, Say started his piano lessons under the tutelage of pianist Mithat Fenmen. His father, having found out that he was playing the melody of "Daha Dün Annemizin" (Turkish version of Ah! vous dirai-je, maman) on a makeshift flute with no prior training, enlisted the help of Ali Kemal Kaya, an oboe artist and a family friend. He was a child prodigy, who was able to do basic arithmetic with 4-digit numbers at the age of two. Some of his notable works include his three symphonies Istanbul (2009), Mesopotamia (2011) and Universe (2012), the Gezi Park trilogy (a double piano concerto in 2013, a piano sonata and an orchestral work with soprano in 2014), piano concerto Silk Road (1994), violin concerto 1001 Nights in the Harem (2007), clarinet concerto Khayyam (2011) and many solo piano works such as Alla Turca (1993) and Paganini Jazz (1995).Īlongside numerous awards for his piano performances, recently Fazıl Say was awarded the International Beethoven Award in 2016, and Music Prize of the City of Duisburg as well as for two CD releases the ECHO Klassik and the Edison Klassiek in 2017.Fazıl Say ( Turkish: born 14 January 1970) is a Turkish pianist and composer who was born in Ankara, described recently as "not merely a pianist of genius but undoubtedly he will be one of the great artists of the twenty-first century". Since then, he has received commissions from the world’s most prestigious prestigious festivals and groups including the Salzburg, Schleswig-Holstein and Mecklenburg-Vorpommern Festivals, Konzerthaus Berlin, Vienna Konzerthaus, Radio France, BBC, NDR Radiophilharmonie, Luzerner Sinfonieorchester and Cities of Bayreuth and Vienna, etc. Say wrote his first piece at the age of 14 and attracted international attention in 1997 with his piano work Black Earth. His musical concepts are influenced by his great interest in jazz, improvisation and Turkish traditions.
Fazil say alla turca jazz free#
For it was from the free forms with which he became familiar in the course of his piano lessons with the Cortot pupil Mithat Fenmen that he developed an aesthetic outlook that constitutes the core of his self-conception as a composer. And it is in this spirit that the artistic itinerary and world-view of the Turkish composer and pianist Fazıl Say should be understood. Composing is always a form of improvisation: with ideas, with musical particles, with imaginary shapes.